[in] connection II

[In] connection evolved from an earlier series of suspended wire structures that, to some, resembled hammocks or boats. Over time, without conscious intention, these forms began to transform into more organic, ambiguous presences—part drawing, part structure, part living form.

Only later did I notice that the suspended forms had gradually shed their resemblance to boats or hammocks. Without conscious intention, they evolved into forms that seemed to possess a life of their own, as if the work itself had quietly found its own direction, revealing possibilities I had never consciously imagined. Looking back, these evolving forms mirror aspects of my own journey—what began as one idea gradually transformed into another, revealing connections I had not consciously planned but now recognize as deeply personal.

Each installation is composed of individually connected wire segments. Rather than existing as a fixed sculpture, the work responds to the architecture that hosts it. Suspended between trees, emerging from a rooftop, cascading from a ceiling, or extending from a museum wall, every installation is reconfigured to establish a dialogue with its surroundings.

The wire traces lines through space as if drawing in the air. Its apparent fragility contrasts with the strength of its construction, inviting viewers to move around it, discovering shifting perspectives and unexpected relationships between form, light, shadow, and space. Shadows and light continually reshape the experience, while sound adds another layer—echoing memory, movement, and the invisible threads that link experiences across time.